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By Roberta Mock

This assortment charts 3 tasks by means of performers who generate autobiographical writing through jogging via inspirational landscapes. integrated within the ebook are the total texts of The Crab Walks and Crab Steps apart through Phil Smith, Mourning stroll by means of Carl Lavery, and Tree via Deirdre Heddon, each one observed via images and contextual essays. Taken jointly or individually, the paintings of all 3 artist-scholars increases vital matters approximately reminiscence, the ethics of autobiographical functionality, ritual, existence writing, and site-specific functionality.

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Additional resources for Walking, Writing and Performance: Autobiographical Texts by Deirdre Heddon, Carl Lavery and Phil Smith

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It seems important then, by way of conclusion, to situate Mourning Walk within the larger phenomenon of pedestrian performance. Initially, it seems that Mourning Walk has little in common with the neo-situationist approach of practitioners such as Lone Twin, Graeme Miller and Wrights & Sites. Whereas they are largely interested in facilitating various forms of urban intervention that seek to establish ‘our right to the city’,43 I am concerned with a more intimate and rural-based mode of performance.

There’s an immediate change of atmosphere. He takes the comic back, and tells me that I’m getting nothing. I panic. I change my mind. I do want it, after all. But it’s too late. It’s gone. I never see that comic. And to this day, I don’t know what it was. This was my first lesson in disappointment. December 2005: After the Walk I’m looking for something on landscape in the journal Performance Research. I scan the page of contents on the back cover of a 1997 volume called Letters from Europe, and start to look MOURNING WALK | 33 for two articles, ‘From Logos to Landscape: Text in Contemporary Dramaturgy’ and ‘Text as Landscape’.

Nothing is what it seems. 41 According to Marranca, Rosenthal’s radically expansive notion of subjectivity articulates an environmental ethics, for it illustrates how identity is necessarily entangled with the destiny of the planet. To be human is to be responsible for, and answerable, to the non-human. ). As much as the walk allowed me to re-enchant the self, it focused my attention on the landscape that I was in. As I stood on the seam of Jurassic rock that runs through the counties of Rutland and Northamptonshire, it was impossible not to feel part of a seemingly infinite cosmological process, of experiencing what geologists call a sense of ‘deep’ time.

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