By Yang Chengfu, Louis Swaim
The book in 1934 of Yang Chengfu's ebook, Essence and purposes of Taijiquan (Taijiquan Tiyong Quanshu) marked a milestone within the smooth evolution of the paintings of taijiquan. utilizing what's best-termed demonstration narrative, the writer offers shape postures and advised purposes from his personal viewpoint, as he played them. this system renders Yang Chengfu's direct, hands-on educating of the artwork with such immediacy and liveliness that the reader reviews the master’s educating a lot as his scholars did.This English translation ultimately makes Yang Chengfu's vintage paintings on hand to taijiquan lovers within the West. It contains notes and statement that make clear the author's widespread classical and literary turns of word and elucidate the philosophical and political underpinnings that form the textual content. The translator investigates and compares a number of early taijiquan books with the intention to support clarify the jobs performed by way of of Yang Chengfu's scholars, Dong Yingjie and Zheng Manqing, in bringing Yang Chengfu's phrases and teachings into print.Serious scholars of taijiquan, and people wishing to deepen their wisdom of taijiquan heritage and conception, will locate this seminal paintings critical to their examine and perform.
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Additional resources for The Essence and Applications of Taijiquan
Tai chi. I. Title. 1 This book is dedicated to the memory of my father, John Wesley Swaim. Acknowledgments My work on this book translation began some years ago, and because of various commitments, I was only able to pursue it in spare moments over time. During that time, I benefited from many discussions with friends. Some of the people who have either encouraged me — or challenged me to clarify and re-think my approach to translating — include Jerry Karin, Audi Peal, Jeff Crosland, and a host of contributors to online discussions.
Yang Chengfu’s second son, Yang Zhenji, made it quite clear when he stated, “Taijiquan tiyong quanshu was written by my father’s disciple, Zheng Manqing, according to my father’s performance narratives and requirements. ”3 Yang Zhenji thus makes it clear that the basis of the book was his father’s “performance narratives” (yanshu ). However, one must dig a little deeper to clarify Zheng’s role in writing the book. To this end, I have compared the form section texts of Taijiquan tiyong quanshu with an earlier book published in 1931 under Yang Chengfu’s name, Taijiquan shiyongfa (Application Methods of Taijiquan).
I’m afraid they would simply lack a foundation, and the end results would be few. As for beginners, I hope they will carefully go over the illustrations of the solo form. With time, as you become refined in all of the basic requirements, the applications will not be difficult to learn. There is only one school of taijiquan; there are not two ways of learning. One may not make a show of one’s cleverness by rashly making additions or deletions. The former worthies developed these methods. If alterations or corrections could be made, the ancestors preceding me would already have put them into effect.