By Willa Cather
A few people's lives are laid low with what occurs to their individual or their estate, yet for others destiny is what occurs to their emotions and their thoughts—that and not anything extra. during this haunting 1935 novel, the Pulitzer Prize–winning writer of My ?ntonia and loss of life Comes for the Archbishop plays a chain of crystalline adaptations at the topics that preoccupy her maximum fiction: the impermanence of innocence, the competition among prairie and town, provincial American values and international tradition, and the grandeur, elation, and heartache that watch for a talented younger girl who leaves her small Nebraska city to pursue a existence in art.At the age of eighteen, Lucy Gayheart heads for Chicago to check tune. She is gorgeous and impressionable and ardent, and those characteristics allure the eye of Clement Sebastian, an getting older yet charismatic singer who routines all of the tragic, sinister fascination of a guy who has renounced existence merely to show again to grab it one final time. Out in their doomed love affair—and Lucy's deadly estrangement from her origins—Willa Cather creates a unique that's as achingly attractive as a Schubert sonata.
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Additional info for Lucy Gayheart (Vintage Classics)
Not exactly. ” “German, of course? That’s good. ” He asked her how she happened to come to Chicago, and to study with Auerbach. She felt that his questions were not perfunctory, that he really wanted to know something about her life, and she got over her shyness. While they were talking, the outer door opened softly, and a little man in a stiffly starched white jacket and noiseless tennis shoes, carrying several coats on hangers, darted through the room and disappeared into the sleeping-chamber beyond.
When he came back from the telephone he lit another cigarette and took up the story he had been telling her about his first meeting with Debussy. But there was something bleak and unnatural in his smile, and Lucy hurried away. She knew, as well as if a name had been mentioned, that the woman who had written for money was Mrs. Sebastian, and she thought it a shame. He always spoke of his wife in a very chivalrous way, and admiringly. She had heard him explain over the telephone, to a friend just arrived from the Orient, that Mrs.
We don’t discuss business matters in our correspondence, that is what you are for… . Send a draft for the amount she mentions, and get it off today, not later… . Of course I can. Simply let the bills go over… . ” When he came back from the telephone he lit another cigarette and took up the story he had been telling her about his first meeting with Debussy. But there was something bleak and unnatural in his smile, and Lucy hurried away. She knew, as well as if a name had been mentioned, that the woman who had written for money was Mrs.