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Herring, Phillip E, ed. Joyce's "Ulysses" Notesheets in the British Museum. Charlottes­ ville: University Press of Virginia, 1972. Johnson, Samuel Frederick. " Shakespeare Quarterly 3 (1952): 187-207. Joyce, James. Chamber Music. Ed. William York Tindall. New York: Octagon Books, 1982. Joyce, Stanislaus. My Brother's Keeper: James Joyce's Early Years. Ed. Richard Ellmann. New York: Viking Press, 1958. Lidderdale, Jane, and Mary Nicholson. Dear Miss Weaver: Harriet Shaw Weaver, 1876— 1961. New York: Viking, 1970.

I . . with him together down . . 1 could not save her. Waters: bitter death: lost. (U-GP 3:320-30) And Stephen's vampire poem, as I once pointed out, is partly inspired by a pic­ ture in a book of woodcuts he had bought, introduced by Yeats, showing an agonized bat-winged figure, like drowned Icarus, about to disappear beneath huge threatening waves (Day, "How Stephen Wrote"). But, as we have begun to see, if Stephen fears annihilation by drowning whenever he thinks of the depths or the encroaching tide, he has another fear, equally strong but more obscurely voiced.

Puck, 3 November 1880, p. ) 29 Cheng Figure 7. " In Frederick B. Opper's cartoon for Puck titled "The King of A-Shantee," "Paddy" and "Bridget" are por­ trayed as the stereotypical Irish peasant couple living in their lowly shanty; the Irishman is connected through the pun of "A-Shantee" with the African Ashanti, just as his prognathous, simian features suggest that he may be the theorized "missing link" in the evolution between apes and black Africans. (Puck, 15 February 1882, p. ) tribe unused to civilized customs, who seemed stupefied by all the judicial cer­ emony.

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