Download Face with A Heart: Mastering Authentic Beauty Makeup by Chris Scott PDF

By Chris Scott

Face with a center is the recent no 1 overseas bestselling approach to make-up software. Its cutting edge recommendations and product feedback are designed for all face forms and life. It teaches either the idea and perform of the Face with a center actual attractiveness make-up® method.  acceptable to either the top consumer and make-up artist alike, Face with a middle redefines and simplifies good looks make-up eternally. handy on-line significant other video tutorials accompany this booklet to make sure that if you happen to decide to use make-up, you're feeling authentically appealing.

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Additional info for Face with A Heart: Mastering Authentic Beauty Makeup

Sample text

Overcompensation in any one direction makes for an imbalanced makeup that draws attention to the makeup and not the person wearing it. leave behind a thick half-moon shape under the eye that, in its own way, acts as a distraction. First the product is applied so heavily that it pulls focus from the eye. Secondly, by not utilizing the grid concept of the face, the circles under the eye are reinforced rather than redirecting the under eye shape outwards and upwards so it lifts and One of the biggest offenders of overcompensation expands the eye rather than diminish and distract is under eye concealer.

Correctors are unexpected shades of makeup CORRECTOR COLORS DEFINED that neutralize darkness and redness instead of covering it up. The win here is still seeing skin when it is corrected; when it is concealed, only the makeup is seen. SKIN TONE Neutralizes and corrects darkness and brightens for light to medium skin tones Pink Light Neutralizes and corrects redness for light to medium skin tones Green Medium Light Neutralizes and corrects redness and darkness for medium to medium-dark skin tones.

It is important that with every face the makeup artist freshly revisit these observations and make decisions based on the face he or she is currently working on. One of the best skills a makeup artist can develop is identifying both the positive (attractions) and negative (distractions) aspects of a models face as it pertains to the look of the makeup. As a rule, on every face, distractions need to be neutralized before adding any makeup to enhance the attractions. If the artist doesn’t do this, then they over compensate with makeup to make the attractions pop by trying to pull focus from distractions on the face.

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