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A compre- Painterly Culture [Moscow]) Narkompros (NKP) Narodnyi komissariat prosveshcheniia Commissariat for Enlightenment) (People's Obshchestvo molodykb khudozbnikov (Society of Young Artists) press) S. F. Starr, hensive illustrated publication on the Costakis collection Obmokhu (in Costakis: Rudenstine, A. , and its history. Women Artists of the Russian Avant-Garde: CoGmurzynska, Women Artists of the logne, Galerie Russian Avant-Garde/ Kiinstlerinnen der russischen Avantgarde 1910-1930, 1979.

55 CUBO-FUTURISM 56 L. S. POPOVA 20 Seated Figure, ca. d Umberto Boccioni Materia. ) Gianni Mattioli Collection, Milan Oil fig. e Umberto Boccioni Horse + Rider + Buildings. ) Civico Gabinetto dei Disegni, Castello Sforzesco, Milan 57 CUBO-FUTURISM L. S. POPOVA 21 Landscape. ) Acquired from the artist's brother, P. S. 78 This work appeared tion of 1924 and is in the artist's posthumous exhibi- visible in the installation graphs. , takis, pis. 818, 819. , photo- C, Cos- 59 CUBO-FUTURISM IVAN VASILIEVICH KLIUN I.

32. The notion of "depth" derives from Gabo's and Pevsner's Realistic Manifesto (see fn. 18) It does not denote illusionistic perspective but rather the real, multidimensional "spatiality" of a work. by this time thought differently about former discipline: "It is good that we have moved away from savoring surfaces, from textural beauty as a painter, his demand construction, and in none of the old savoring of Yet Ioganson criticized Medunetsky's Materials in painting. " 33 is spatial constructions "merely the repre- 15) as (fig.

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