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Do you care who’s doing it or why? Nope, not a bit. Despite top grade studio production values, the whole thing is an ineffective repetition of the tired dead-teenager formula. The twenty-first-century remake bears little resemblance to the plot of the tepid original. It does share a shiny gloss, but with even less substance, and again, the screen is filled with the kind of brittle, pretty, well-to-do characters that are usually seen in primetime soaps. 16 HORROR SHOW GUIDE: THE ULTIMATE FRIGHTFEST OF MOVIES horror shows 1/7/13 9:25 PM Page 17 Arrival, The (1996) ARACHNID (2001) Throwback to ’50s big-bug monster pictures is undone by uninspired writing and acting.

In the years since, other “found footage” horrors like [REC] and the Paranormal Activity series have mined the same rich vein of viewer credulity. The fictional sequel attempts to build on the box office success of the first film. Supposedly, that popularity causes a massive influx of fans to the part of Maryland where the “events” took place. Four of those fans hire a semi-comic guide and head out on a “Blair Witch-Hunt” tour of the woods where they run into trouble. The studio added footage to director Joe Berlinger’s work.

Anthony Hopkins persuades John Beck and Marsha Mason that their daughter has the soul of his daughter because that little girl died a few minutes before their girl was born. How does he know this? Psychics told him and he went to India to check it out. Throughout the 20 HORROR SHOW GUIDE: THE ULTIMATE FRIGHTFEST OF MOVIES horror shows 1/7/13 9:25 PM Page 21 Awful Dr. Orlof, The (1962) action is either boring or silly. Blame Frank De Filitta. He wrote the novel and the script and he co-produced the film.

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