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By Thomas Wolfe

Letters--mostly of the nuts-and-bolts, sensible variety--between Thomas Wolfe and his literary agent, Elizabeth Nowell. Nowell served as Wolfe's editor for plenty of of his brief tales, paring them all the way down to lead them to appropriate to magazines. Oddly sufficient, his perspective towards her used to be thankful instead of hostile, and their deep mutual recognize is obviously obvious in those letters.A UNC Press Enduring variation -- UNC Press Enduring versions use the newest in electronic expertise to make to be had back books from our exotic backlist that have been formerly out of print. those variations are released unaltered from the unique, and are awarded in reasonable paperback codecs, bringing readers either old and cultural price.

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Extra resources for Beyond Love and Loyalty: The Letters of Thomas Wolfe and Elizabeth Nowell : Together With No More Rivers : A Story

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Yours, Elizabeth Nowell I . An early character sketch of Mr. " I have not been able to read your revision carefully yet, but I shall read it over the week-end. I am sorry you have had to work so hard on this and have had no better luck placing it. Of course there's no use arguing with Editors who know what they want or think they do, and I don't know of anything I can do to free them from their quaint superstitions concerning characters who stammer, etc. This was surprising news to me, and now I can no longer pretend even to guess at these prejudices or know what the next will be.

Nowell had already sold Wolfe's revised preface to the Atlantic Monthly under the title, "The Story of a Novel," when Wolfe discovered another part of it that he had used for his Colorado lecture. When the whole essay proved too long for the Atlantic, it was accepted by the Saturday Review of Literature for publication in three installments. v v q October 26, 1935 Dear Wolfe: O h God how the dollars roll in. 36 as usual. I , 1935 Dear Wolfe: I don't know whether you want or ought to come, but I want to ask you anyway.

Henry collection from Doubleday today1 and I've borrowed it to read on the train to New Bedford-you don't mind do you? K.?? I brought the Blythe in to Mr. good boy and write a lot of little "he's" in pencil over the "1's" in that piece for Caravan3-or have you already maybe? It's such a cinch and I'll get it retyped or whatever else you want doneI said to Mr. Perkins if Waite was through and you wanted somebody else to dramatize the Angel or Time and the River I'd tell Salisbury and we could probably still get that girl who did Thunder or the Left and was reading the Angel when you signed with Waite.

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