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By Natalie Melas

This ebook is set tradition and comparability. beginning with the historical past of the self-discipline of comparative literature and its forgotten relation to the positivist comparative procedure, it inquires into the belief of comparability in a postcolonial global. comparability used to be Eurocentric by way of exclusion while it utilized merely to eu literature, and Eurocentric by means of discrimination whilst it tailored evolutionary types to put eu literature on the vanguard of human improvement. This ebook argues that inclusiveness isn't a enough reaction to postcolonial and multiculturalist demanding situations since it leaves the foundation of equivalence unquestioned. the purpose isn't just to deliver extra items below comparability, yet really to envision the method of comparability. The ebook bargains a brand new method of the either/or of relativism and universalism, during which comparability is both very unlikely or assimilatory, by way of focusing as an alternative on quite a few sorts of “incommensurability”—comparisons during which there's a floor for comparability yet no foundation for equivalence. every one bankruptcy develops a specific type of such cultural comparability from readings of significant novelists (Joseph Conrad, Simone Schwartz-Bart), poets (Aimé Césaire, Derek Walcott), and theorists (Edouard Glissant, Jean-Luc Nancy).

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Extra resources for All the Difference in the World: Postcoloniality and the Ends of Comparison

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Fitzgerald lambasted the incompatibility of Bate’s profession and his love of boxing. ’3 A crowd gathered but the battle was postponed. At two o’clock that morning Bate and Croftes met at a coffee house in town and arranged to duel in Richmond Park. As they prepared to leave, Fitzgerald arrived to tell Bate that there was a gentleman outside—a Captain Miles—who wanted to box him then and there. Bate was unwilling to fight but eventually made things up with Croftes and fought Captain Miles in the front dining room of the Spread Eagle Tavern, beating him easily (Plate 1 represents Bate’s victory as the sacrifice of the Macaronis to ‘revive degraded MANHOOD’).

3 A crowd gathered but the battle was postponed. At two o’clock that morning Bate and Croftes met at a coffee house in town and arranged to duel in Richmond Park. As they prepared to leave, Fitzgerald arrived to tell Bate that there was a gentleman outside—a Captain Miles—who wanted to box him then and there. Bate was unwilling to fight but eventually made things up with Croftes and fought Captain Miles in the front dining room of the Spread Eagle Tavern, beating him easily (Plate 1 represents Bate’s victory as the sacrifice of the Macaronis to ‘revive degraded MANHOOD’).

Ferdinand Twigem’, The Macaroni. A Satire (London, 1773) p. 11. Vauxhall Affray, pp. 67 and 75. , p. 24. Klein, ‘Politeness for plebes: consumption and social identity in early eighteenth-century England’, in Bermingham and Brewer (eds) The Consumption of Culture, p. 374 and John Brewer, ‘Commercialisation and politics’, in McKendrick, Brewer and Plumb (eds) The Birth of a Consumer Society, pp. 197–262. John Money, ‘The masonic moment; or, ritual, replica, and credit: John Wilkes, the Macaroni Parson, and the making of the middle-class mind’, Journal of British Studies, 32 (1993):358–95.

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